Manual of Adaptation to the Planet (2023)

participatory theatre

created by Ruggero Franceschini & Zelda Soussan

set design by Aurélien Izard
scientific tutor Roman Teisserenc (INP Toulouse)

with Thylda Bares, Rémi Boissy, Sarah Drapeau, Ruggero Franceschini, Claudia Gambino, Aurélien Izard, Roman Teisserenc, Zelda Soussan 
illustration : Ehsan Mehrbakhsh, Camille Potte
costumes and design : Camille Lamy
sound design: Farghest
sound engineer: Eric Jeunesse

administration, organization and distribution: Akompani | Amandine Bretonnière et Martin Planque

in co-production with LUIT, Eunemesi, Metropolis, Copenhagen (DK) Base, Milan (IT Arto, Ramonville (FR), Atelier 210, Bruxelles (BE) Espace Périphérique, Paris (FR) L’Avant-Scène Théâtre, Cognac (FR), MUST, Vimercate (IT, La Bellone, Bruxelles (BE, Le Printemps des rues, Paris (FR), Espace ChapitO / Coopérative De Rue Et De Cirque, Paris (FR), Animakt, Saulx-Les-Chartreux (FR) Les Transes Cévenoles, Sumène (FR) Météo France, La Ville de Paris

Paris (FR), Bordeaux (FR), Toulouse (FR)

French rehearsals:Italian rehearsals:

Walkabout (2023)

site specific promenade performance

text and voice by Sonia Antinori
directed by Ruggero Franceschini
with Ruggero Franceschini / Bianca Ottaviani / Claudia Gambino / Roberta Garlatti / Lucia Baldini
music by Arlo Bigazzi
photography by Lucia Baldini
communication by Mariella Iannuzzi
administration by Chiara Benicchi

produced by MALTE, with support by Ministero della Cultura, regione Marche

Milano, Roma, Ancona, Recanati, Pordenone, Chiusi, Massa (IT)

Biblioteca Umana dello Spettatore (2023)

theatre

created by Ruggero Franceschini, Francesca Merli, Laura Serena and Riccardo Tabilio
directed by Francesca Merli

dramaturgy by Riccardo Tabilio
assistant director Laura Serena
audio director Ruggero Franceschini

with Ruggero Franceschini and Laura Serena, and audience members Carlo Belgir, Monica Villa, Gennaro Sanarica , Sandra Scurani , Claudio Giombi

sound design and music by Federica Furlani
set design by Cler Bonomelli,
costumes by Ilaria Ariemme
light design by Francesca Merli
videos and technical direction by  Carlo Compare

poster by Ehsan Mehrbakhsh

produced by Teatro Franco Parenti, Fondazione Ravasi Garzanti (IT)

Telenovela (2022)

theatre

directed by Ruggero Franceschini, Francesca Merli, Davide Strava

text by Riccardo Favaro
costumes by Francesca De Santis
light design by Pollo Rodighiero
sound design by Giacomo Benvenuto, Marco Papparotto (I Fidanzati Della Morte)

with Angelo Callegarin, Alex Cendron, Irene Curto, Ruggero Franceschini, Giacomo Martini, Miriam Russo, Laura Serena, Samantha Silvestri

assistent director Enrico Frisoni
assistent costume designer Alice Manente
producer Marta Vianello
poster Ehsan Mehrbakhsh

produced by Teatro Stabile del Veneto,  CTT, Kaliscopio Treviso (IT)

Calle Dell’Oro / esploriAMO (2021)

site specific promenade performance

created by Ruggero Franceschini & Miriam Russo, with 12 participants to the workshop esploriAMO

produced by CTT and Kaliscopio Treviso (IT)

BYGGELEGEPLADS (2020)

live video site-specific performance

with Zelda Soussan and Mapping the City residency participants, as part of Walking Copenhagen, a 100 days project for 100 artists during the Covid-19 pandemic

produced by Metropolis Copenhagen (DK)

The Monuments of Paese (2019)

site specific promenade performance

created by Ruggero Franceschini
text and performance by Matteo Benussi, Vijay Benvenuto, Ruggero Franceschini, Teresa Masini, Ronald Pelin, Valya Voinova

produced by Eunemesi, supported by Hamlet Burger (IT)

Clarissa (2019)

site specific promenade performance

created and performed by Ruggero Franceschini, Ray-Pei Yu and Anqi Zhao

supported by CSM London (UK)

Athina to 3 (2018)

site specific performance
with Dark Pars
produced by CSM London

supported by Erasmus+ and OSE (GR)

Melencolia I (2014)

theatre

created and performed by Francesca Del Fa, Domenico Florio, Ruggero Franceschini, Hannah Gelesz, Giulia Vecchio, Marouane Zotti

produced by Eunemesi

finalist at Premio Lidia Petroni (IT)

Senhal (2012)

theatre

direction and dramaturgy by Ruggero Franceschini
excerpts from Andrea Zanzotto
with Marta Cortellazzo Wiel, Ruggero Franceschini
sound live by Marco Rizzardi
set design by Marta Vianello

supported by TRA Treviso, IT Festival Milano (IT)

Les Inoccupant.e.s (2021)

research

by Alberto Franceschini, Ingrid Cogne, Ruggero Franceschini

produced by the City of Vienna (AT), supported by ARTika (IT)

Anthology of Superfluous Activities (2019 - ongoing)

research

by Ruggero Franceschini, Claudia Gambino, Francesco Meola, Tianyu Xu, Ray-Pe Yu and Anqi Zhao

produced by Eunemesi, Switchoffthelight, supported by MovinUp! (IT), ESP-I (TW)

Padua Silk Road (2018)

research

by Ruggero Franceschini, Claudia Gambino, Francesco Meola, Tianyu Xu, Ray-Pe Yu and Anqi Zhao

supported by Eunemesi (IT), Switchoffthelight (CHN)

Iron Curtain (2018)

VR short movie

directed by Ruggero Franceschini
DOP Antonio Giacomin
with Corrado Franceschini, Daniele Molino, Marco Papparotto, Francesco Zamprogno

supported by FluidoTV (IT)

Crowd Control (2018)

research

by Ruggero Franceschini and Alberto Franceschini

supported by ARTIKA eventi (IT)

A Little Piece of Rail (2018)

research

by Ruggero Franceschini, Ray-Pei Yu and Anqi Zhao

supported by Erasmus+ (GR), Neverland (GR), and CSM London (UK)

The Experience (2017)

research

by Ruggero Franceschini, Steph Hadfield, Simu Wang,
Ray-Pei Yu and Anqi Zhao

supported by CSM London (UK)

River (2017)

research

by Ruggero Franceschini, Simu Wang, Ray-Pei Yu and Anqi Zhao

supported by CSM London (UK)

F.A.R.M. (2017)

research

by Ruggero Franceschini, Claudia Gambino, Livio Remuzzi and Giulia Vecchio

produced by Eunemesi, supported by Binario1 Treviso (IT)

Nostoi (2017)

research

by Ruggero Franceschini and Renae Shadler, with the participants to a theatre workshop for asylum seekers

supported by Binario1 Treviso, IntegrART (IT)

Hey, you there! (2016)

research

by Alberto Franceschini and Ruggero Franceschini

produced by CSC Bassano del Grappa (IT)

selected at Stockholm Dance Film Festival 2017

Panopticon (2016)

research

by Ruggero Franceschini

supported by Trieste Contemporanea (IT)

finalist at Squeeze it 2016

Log boy (2016)

research

by Ruggero Franceschini
video by Gil Giuliani

Baltic sea marriage (2014)

research

by Ruggero Franceschini 

supported by Erasmus+ (PL)

A-BUSE (2013)

reading

by Ruggero Franceschini
text by Andrea Zanzotto
curated by Alberto Franceschini
and Daniel Buso

supported by ARTika Treviso (IT)